

The Green Ray and Woman on the Beach are two films revolving around characters adrift, both emotionally and geographically. Set against the backdrop of a seaside resort, both films explore the idea of human connection through repetition, hesitation, and the search for the ‘real thing’, culminating in fleeting moments of revelation.
Original Title: Le Rayon Vert
Director: Éric Rohmer
Runtime: 90 mins
Country: France
Language: French with English subtitles
Rating: NC16

Awards
WINNER GOLDEN LION
1986 Venice Film Festival
WINNER FIPRESCI Prize
1986 Venice Film Festival
Synopsis
Éric Rohmer evokes the ache of a melancholic summer with tender poignancy in this luminous tale of self-exploration. Loosely inspired by the Jules Verne novel of the same name, The Green Ray follows the story of Delphine, a dreamy, introverted young secretary who, reeling from a recent breakup, becomes anxious about spending her summer vacation alone. As she drifts from a getaway in Cherbourg, to the crowded Alps, to the sunny beaches of Biarritz, Delphine encounters a whirl of social activity—but remains profoundly alone. Her search for genuine human connection continues to elude her as she is held back by her hesitation.
Shot on 16mm film and shaped mostly through improvisatory dialogue, this Golden Lion winner is Rohmer’s fifth entry to his Comedies and Proverbs series. At once delicate and deeply affecting, The Green Ray is one of Rohmer’s most acclaimed and perceptive works in exploring urban ennui, loneliness, and the elusive hope of grace.
Adapted from The Criterion Channel.
Footnote:
Rohmer’s Comedies and Proverbs series spans six films from 1981 to 1987, dealing mostly with themes of love and relationships.
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