Retrospective is a regular series showcasing bodies of work from an extended period of activity by filmmakers of different eras. Devoted to the region’s film history, contributions and movements within the industries in Asia, the platform focuses on particular profiles, themes and aesthetics to allow audiences to experience past and ongoing cinematic transformations.

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About the programme

Mike De Leon, the producer and cinematographer of Lino Brocka’s haunting masterpiece Manila, In the Claws of Light (1975), is one of Filipino cinema’s most dramatic and iconic storytellers. This retrospective brings together a complete line-up of De Leon’s feature films and shorts as a writer and director. De Leon’s films are presented alongside a selected number of surviving classic melodramas, musicals, costume dramas, and noir films of the 1930s–’60s to come out of the greatest of all Filipino studios, LVN Pictures, which was founded in 1938 by De Leon’s grandmother Doña Sisang. Inspired by this storied history of popular moviemaking in the Philippines—one he experienced firsthand as a child on the LVN studio lot—as well as by Hollywood and European cinema, De Leon’s own films mix the genres of melodrama, crime, supernatural horror, slapstick comedy, and the musical with social commentary.

The first iteration of this programme and related text was conceived and organised by Joshua Siegel, Curator, Department of Film, The Museum of Modern Art, as part of Mike De Leon: Self-Portrait of a Filipino Filmmaker, from November 1–30, 2022.

Please note: little survives of the film library of LVN studios, and what does survive is generally in poor condition. We nonetheless present these rare films so that Singaporean audiences can experience them for the first time.

Retrospective: Mike De Leon will run from 24 March to 28 April 2023 at Oldham Theatre

Programme

*Titles are in chronological order

As Director

• DOUBLE BILL: Anak dalita (The Ruins, 1965, dir, Lamberto V. Avellana) + An Actor Remembers – Joseph de Cordova (2006, dir. Mike De Leon)
• TRIPLE BILL: Sangandaan (Crossroads, 2022, dir. Mike De Leon) + Maynila, Sa Mga Kuko ng Liwanag (Manila, In the Claws of Light, 1975, dir. Lino Brocka) + Maynila, Isang Pelikulang Pilipino (Manila, A Filipino Film, 1975, dir. Clodualdo del Mundo Jr.)
• DOUBLE BILL: Itim (The Rites of May, 1976, dir. Mike De Leon) + Itim: Isang Eksplorasyon sa Pelikula (Itim: An Exploration in Cinema, dir. 1976, dir. Clodualdo del Mundo, Jr)
• DOUBLE BILL: Kung Mangarap Ka’t Magising (Moments in a Stolen Dream, 1977, dir. Mike De Leon) + Si Boyet, Hilda, Atbp (Boyet, Hilda and the Others, 1977, dir. Clodualdo del Mundo, Jr)
• DOUBLE BILL: Kakabakaba Ka Ba? (Will Your Heart Beat Faster?, 1980, dir. Mike De Leon) + Saan? Sino? Paano? (1980, dir. Ding Achacoso)
• Kisapmata (In the Blink of an Eye, 1981, dir. Mike De Leon)
• TRIPLE BILL: AKΩ Batch ’81 (1982, dir. Mike De Leon) + Kangkungan (Swamp Cabbage Patch, 2019, dir. Mike De Leon) + Never Again (2016, dir. Mike De Leon)
• DOUBLE BILL: Signos (Omens, 1983, dir. Concerned Artists of the Philippines (Collective)) + Aliwan Paradise (1992, dir. Mike De Leon)
• Sister Stella L. (1984, dir. Mike De Leon)
• Hindi Nahahati ang Langit (Heaven Cannot Be Shared, 1985, dir. Mike De Leon)
• Bayaning 3rd World (Third World Hero, 1999, dir. Mike De Leon)
• DOUBLE BILL: Citizen Jake (2018, dir. Mike De Leon) + A Word from the Director (2018, dir. Mike De Leon)

From Mike De Leon and LVN’s Archives

• Giliw Ko (My Sweetheart, 1939, dir. Carlos Vander Tolosa)
• DOUBLE BILL: A Compilation of Color Scenes from 1950s Filipino Movies (Mike De Leon) + Ibong Adarna (Adarna Bird, 1941, dir. Vicente Salumbides)
• Mutya ng Pasig (Muse of the Pasig River, 1950, dir. Richard Abelardo)
• Pag-asa (Hope, 1951, Lamberto V. Avellana)
• Huk sa Bagong Pamumuhay (Huk in a New Life, 1953, Lamberto V. Avellana)
• Malvarosa (1958, dir. Gregorio Fernandez)
• DOUBLE BILL: Mr Li (2019, dir. Mike De Leon, Tom Estrera III, Carlo Fajarda) + Biyaya ng Lupa (Bounty of the Earth, 1959, dir. Manuel Silos)
• A Portrait of the Artist as Filipino (1965, dir. Lamberto V. Avellana)

Oldham Theatre’s opening hours

For further assistance, please contact us at ticketing@asianfilmarchive.org 

Important Notice:

Do note that Oldham Theatre operates on a free seating arrangement. Doors will open 20 minutes before showtime so arrive early to choose a seat and avoid disrupting the screenings as AFA does not play ads and screenings will start promptly.

All patrons are encouraged to purchase your tickets online. If you choose to purchase tickets or merchandise at Oldham Theatre’s box office, cashless payment is preferred.

Measures will be taken to ensure the health and safety of all patrons at Oldham Theatre. Mask-wearing is optional as of 29 August 2022.

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T&Cs
Concession tickets apply to Students (Local & Overseas), Full-time National Servicemen (NSF), Senior Citizens (55 years and above) only.

Please check film ratings before purchase of tickets. Please note that you may be asked to present your ID at the door (this applies to concession tickets as well). Only physical photographic identification is allowed, digital copies of identification are not allowed. AFA reserves the right to turn away any members of the public without physical photographic identification.

Upon confirmation of your order for Tickets, no exchange of Tickets will be made under any circumstances and Tickets are not transferable. No refund on Tickets will be made under any circumstances except due to cancellation of the event. The resale of Tickets at any price is prohibited.